Media Resources

As the first visual contact for travelers arriving in Qingdao, its advertising value far exceeds that of ordinary outdoor displays. Wall media occupies the core area of travelers' vision, forming an unavoidable visual enclosure, ensuring that brand information achieves 100% compulsory exposure to every incoming traveler.

The baggage claim area is spacious but visually distracting, and passengers often find themselves in an unconscious wandering state while waiting for their luggage. The central column lightbox, with its 360-degree enveloping three-dimensional form, allows passengers to receive clear visual signals from any carousel without any blind spots.

Located in the crossover mixed-flow area for domestic departing and arriving passengers at Terminal 2, it is a critical node on the path that passengers must take when moving from the check-in area to the boarding gates or from the baggage claim hall towards the exit, achieving dual coverage of the bi-directional passenger flow.

Most of the overhead row lightboxes adopt a double-sided light-transmitting design. Whether passengers are moving from the departure level to the arrival level, or vice versa, they can clearly see the advertising content, ensuring exposure from all angles. In the spacious mixed-flow hall, it is the only visual focal point occupying the skyline, naturally commanding top-level attention.

Column light boxes and high-altitude escalator light boxes form the most visually striking and widely covered three-dimensional advertising network in this area, not only filling the 'golden waiting time' for passengers from the security checkpoint to the boarding gate, but also deeply integrating the commercial atmosphere with brand information through a unique spatial layout.

Lightboxes are usually hung in prominent positions on the side near the entrance of the passage, with the height carefully calculated to ensure that travelers can clearly recognize them from a distance. The lightbox design of the VIP security channel follows the minimalist aesthetic of 'less is more,' becoming a visual anchor for a high-quality service experience.

High-altitude light boxes take advantage of the absolute superiority of vertical space, occupying the unavoidable line of sight when passengers look up. In the complex environment at eye level filled with signs, crowds, and luggage carts, the images hung high create a natural visual isolation zone.

Whether it is domestic arrivals or international/regional arrivals, all passengers who leave the quarantine area and pick up their luggage must go through the arrival exit passage to reach the transportation center. This is the only exit for the flow of passengers on the T1 arrival level, with no possibility of diversion, ensuring that all passengers are compulsorily directed through it.