Media Resources

Located in the central area of the domestic arrivals baggage claim hall of Terminal 1, right next to the luggage carousel, it precisely covers all the must-stop points for arriving passengers, achieving 100% mandatory exposure, forming a visual focal point with strong dynamic tension and information efficiency.

The baggage claim area is spacious but visually distracting, and passengers often find themselves in an unconscious wandering state while waiting for their luggage. The central column lightbox, with its 360-degree enveloping three-dimensional form, allows passengers to receive clear visual signals from any carousel without any blind spots.

Located in the crossover mixed-flow area for domestic departing and arriving passengers at Terminal 2, it is a critical node on the path that passengers must take when moving from the check-in area to the boarding gates or from the baggage claim hall towards the exit, achieving dual coverage of the bi-directional passenger flow.

Most of the overhead row lightboxes adopt a double-sided light-transmitting design. Whether passengers are moving from the departure level to the arrival level, or vice versa, they can clearly see the advertising content, ensuring exposure from all angles. In the spacious mixed-flow hall, it is the only visual focal point occupying the skyline, naturally commanding top-level attention.

Column light boxes and high-altitude escalator light boxes form the most visually striking and widely covered three-dimensional advertising network in this area, not only filling the 'golden waiting time' for passengers from the security checkpoint to the boarding gate, but also deeply integrating the commercial atmosphere with brand information through a unique spatial layout.

Lightboxes are usually hung in prominent positions on the side near the entrance of the passage, with the height carefully calculated to ensure that travelers can clearly recognize them from a distance. The lightbox design of the VIP security channel follows the minimalist aesthetic of 'less is more,' becoming a visual anchor for a high-quality service experience.

Even under the complex lighting environment of Hall T1, the image remains clear and sharp, closely following the flow of passengers—from entering the hall to check in, to queuing for baggage drop, and then heading to the security checkpoint, the TV screens follow like a shadow, forming a continuous visual corridor.

The international security checkpoint is adjacent to the duty-free shop area and the boarding gate, serving as a key point for passengers to make cross-border consumption decisions. In the core waiting area in front of the security gates, passengers actively stop, and the ad view rate reaches nearly 100%.