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The lightbox media located at the exit of the T2 arrival baggage hall, with its unique spatial positioning and light-and-shadow aesthetics, has become the first gateway of light and shadow connecting travelers with this city. Relying on its distinctive geographical positioning and visual presentation, it has established a highly penetrating communication advantage.

The exit of the luggage hall is not only an essential passage for passengers, but also the golden final hundred meters for showcasing brand and city image. The media, with its unique geographical location and visual presentation, creates a highly penetrating communication advantage.

At the moment when travelers have just finished their airborne journey and their eyes are searching for the exit, a huge lightbox image spans the end of the corridor in an unavoidable manner, directly occupying the central area of vision and forcing their gaze to focus for a long time while moving.

The departure lounge is the area where passengers spend the longest time during the departure process. The lightboxes cleverly incorporate the golden waiting period, and the lightboxes above the head achieve 360-degree panoramic coverage with their constant brightness and stunning images.

As the mandatory passage for domestic arriving passengers leaving the quarantine area, with 100% passenger coverage, the lightbox stands right at the end of this homeward path, occupying the absolute center of passengers' vision, achieving a visual transformation from passive viewing to active attention.

The mixed corridor of domestic departures and arrivals is like a flowing artery, and the illuminated box stands right at this node where time and space fold, becoming the endpoint where countless travelers' gazes converge, creating a strong sense of visual oppression and impact.

The lightbox occupies the prime area within the passengers' eye level and upward view, utilizing the movement path of passengers between the carousel and the resting area to achieve multiple visual interactions. While waiting, the large-scale brand images become the focal point of vision, creating an interaction between the natural line of sight and the advertising images.

The lightbox located above cleverly makes use of this fragmented time. Unlike the brief glance of corridor media, the lightbox above the security checkpoint provides travelers with ample time to view and read. During the moment of waiting for security, travelers' gaze naturally seeks a focal point, greatly enhancing the depth of information reception.