Media Resources

Media resources are precisely positioned at key nodes such as international departure check-in halls, security channels, duty-free shopping areas, boarding corridors, and gates, constructing a visual communication system that covers the entire process of international travelers through a distributed, high-density network of points.

The fundamental advantage of the screen-saturating package lies in its absolute control over passenger flow. From the moment passengers enter the T2 departure hall until they step into the restricted area, the reception of advertising information is no longer fleeting, greatly enhancing the effective reach of the information.

100% coverage of the atmospheric and clean surroundings of the exit, media exposure without interference averaging 16 hours per day, ensuring that video collection reaches taxi and airport shuttle passengers closely, passengers follow like a shadow to deepen audience memory, multi-screen linkage for full-process conversion

The screen machines located in the third-floor domestic departure hall and the first-floor domestic transfer, departure, and main building arrival hall serve as the digital pulse along this route, acting as visual nodes along the passengers' path, conveying brand information in a more delicate and in-depth manner through a high-frequency, dynamic approach.

Even under the complex lighting environment of Hall T1, the image remains clear and sharp, closely following the flow of passengers—from entering the hall to check in, to queuing for baggage drop, and then heading to the security checkpoint, the TV screens follow like a shadow, forming a continuous visual corridor.

The international security checkpoint is adjacent to the duty-free shop area and the boarding gate, serving as a key point for passengers to make cross-border consumption decisions. In the core waiting area in front of the security gates, passengers actively stop, and the ad view rate reaches nearly 100%.

The security checkpoint is a semi-enclosed linear passage. Once passengers enter the queue, they are restricted in all directions—front, back, left, and right. The freedom of vision is greatly reduced, and by using the strong attraction of dynamic visuals, it forcibly intrudes into the field of view during the fragmented time passengers spend waiting for security checks.